Archive for the ‘University of Brighton degree show 2015’ Tag

University of Brighton degree show 2015 part 2 – fine art and sculpture

2015-06-12 18.07.01I think the show this year is exceptional. Forgive me for omissions, with few exceptions, the pictures were all brilliant. They are also diverse in styles and subjects. Thematically, food seems to be important this year. Anna Choutova (left) presents a huge jar of olives; Louis Staples’s avocados (right) 2015-06-12 18.08.16are almost graphic design and  his melting butter (bottom left) positively spreadable. There is a hint Paul Nash about the image in terms of colour and surrealism. Talking of which…

2015-06-12 18.09.40A positive highlight was most certainly some familiar surrealism. Again, the artist’s name was absent, but we were at least given an email address and the name of the paintings. First, then, And onto Man, Nothing Shall Pass (right) 2015-06-12 18.11.14positively dripping Dali. The lion with a zip on its back is intriguing. At first I thought it was a switch. But when I looked again more closely I saw the teeth of the zip. I trust the lion is being zipped up.

2015-06-12 18.12.35The same artist is responsible for An Allegory of Pride (The Seven Vices and Virtues of Tragedy, left). The title invites the return of the lion, this time in a very Magrittian ensemble of characters, locations and colour.

Nettle Grellier presents a delightful picture (below right) simply entitled Outside In. The 2015-06-12 18.15.58theme is flowers, birds, sunlight, fecundity. It has a feelgood factor about it without being overly challenging. It is a bit of a tapestry that, ultimately, asks, what is inside?

2015-06-12 18.20.29It is almost as if Dexter Gonzales (left), gives us a possible answer to that question with his exquisite view of a garret. Many of us have inhabited these kinds of spaces in our lives. This image looks warm and inviting. Often they are neither.  Gonzales cleverly uses frames to limit his images. It works.

2015-06-12 18.30.49Sophie McKenna’s work (left) is beguiling. Look closely and there is not much to say. Move away, and any number of things come to mind, most of them relating to nature. I can see an aerial view of roaming Wilderbeast (or their continental equivalents). I can see bees, trees, clouds. The cloud element is helped by the scratchy swirls that would not be out of place on a weather chart. Probably I write nonsense?2015-06-12 18.31.50

Human identity is a perennial topic for artists. There were, for me, three particular examples of note. First, Alexander Kay’s Existence I (right). This nude is both erotic and tormented. The environment is not friendly, though she may ordinarily 2015-06-12 18.40.04be in some passionate embrace. If she is, this is armageddon. Is is the existence merely feeling human?

Second, is James Hicks’s self portraits (left). The mirror seems to distort the image (not least the impossible walking shoes). It is not a comfortable image, but the artist has some guile in presenting himself in this way.

Finally, Ellie Seymour’s disconcerting portrait (right)DSCF1111 is part of a series entitled Misshapen I-V. As the title suggests, the images are deliberately distorted in a bid to subvert media representations of feminity, without, it seems, rejecting it completely.

Perhaps the darkest and most unnerving work this year is that of Victoria Jenkins (below left). These three enclosed figures are trapped, despairing, claustrophobic. The materials used include a resin that compounds this feeling. Like a tar pool that trapped early 2015-06-12 18.36.38mammals.

There was not much portraiture this year. The most photoreali2015-06-12 18.23.53stic of the small sample was the series of self portraits by Sam Glencross. This one (right) depicts the artist at 17 (though the panel said 21), devoid of neck. Frowning. The eyes are a cold blue and the hair…a problem in later life.

2015-06-12 18.34.52It is worth, briefly, going back to food. These fried eggs (left) by Amber Manser are perfectly edible.

2015-06-12 18.54.03And so to sculpture. Sculpture is not the most accessible form for me. There are three observations from this year’s show.

Robert James Gordon’s, Stay, is simple in its effectiveness. A resin dog sits infront of a mirror. Look into the mirror one can also see his piece, Upwardly Immobile. This piece depicts a very young child in a harness suspended from a not-inconsiderable height. The child is so young that there is a degree of abandonment about it. The title also suggest limited life chances. Suspended between ambition and reality. Hunger, loneliness. 2015-06-12 18.55.12

I must say to the curators of the sculpture exhibition, the aviary with living birds is not art. Please do not incorporate live animals into exhibitions.

The final example of grotesqueness is captured in the work of Rachael Power (right). Essentially, this DSCF1115work is a walk-in vagina installation. The author herself is attempting to reclaim the vagina as an aesthetic entity from the pornographers. She seeks to return the penis to its ‘protective roots’. The installation certainly appropriates the penis and even at the rear of the installation creates a second vagina from the male body.

download_20150615_225544 Finally, Rose Harris (left) presents a spread of wonderful aesthetic prints. The eye is drawn to this lucious example (left). The detail in the leaves is tremendous. It is like a carving. And whilst it was the first collection that we saw, I leave my review with this image as symbolic of the show overall. Apologies to the textile artists. Somehow we both missed the galleries and ran out of time.

University of Brighton degree show 2015 pt 1

Here is my annual review of the best (in my humble opinion) of the degree show. In light of the recent election result and my passion for students and young people more generally to engage with the political process, I highlight in the first instance the work that prompts thought about change and the environment.

First, let us start with the graphic designers whose task is surely to help us navigate the complex environment in whichDSCF1127 we live and to alert us to dangers both real and imaginable. There were seven exceptional examples in this year’s show starting with Hannah Jeffery (right). It never ceases to shock to learn just how few examples of these extraordinary animals there are left; largely because of poaching and game hunting.

DSCF1120Next, Amy Fullalove who asks, how do we alert future generations to the dangers associated with a huge nuclear waste repository in Finland (Onkalo)? I think these symbols (left) will do the trick!

Sasha George (below right) has another approach. Now this is my interpretation, and hence it might be entirely wrong. The artist seems to have presented a series of six extraordinary pictures depicting DSCF1129nature reclaiming human despoliation. There is a toppled Statue of Liberty (somehow on land); trees growing through houses and abandoned vehicles. The array of animals – tigers, bears, birds and fauna is fantastic. And to me at least, it shocks.

DSCF1125Next Lossie Ng Lei (left) takes on global warming with a challenge to feel the difference that 2 degrees makes with a set of oceanic images and a push towards veganism (as a solution).

Next, Beth Ducket (below right) who is in fact a print maker rather than graphic design. It is not clear exactly how explicit the artist is about the impact on the environment of consumption, but even by accident the reproduction of so many receipts makes a clear point. Her accompanying script could even be MarxistDSCF1117 with references to alienation (meaninglessness) and mass production/consumption. Perversely the artist has reproduced by hand the receipts on the one hand claiming artisanal value but also this wonderful ability to see art in the mundane and a deep commitment to classification.

My penultimate choice goes to an artist whose work seems not to have been labelled. I do not know DSCF1123whether this work is a critique of modern communication technology or a celebration of it (left). Every individual in the series of six pictures is completely consumed by a mobile phone. If it is a critique, well done. If it is a celebration, we really are doomed.

Finally in this section (fine art and sculpture to follow), Holly MacDonald is going to go far withDSCF1131 her caricatures of British politicians. There are two in this example (right). And they are brilliant and correct.