A bit rich coming from Lynton Crosby

Lynton_Crosby_Political_Strategist

So, according to Lynton Crosby, the architect of the Conservative’s 2015 election campaign, the Labour Party demonstrates an arrogance in the Beckett Report into the causes of the election defeat. Let us get this straight, Crosby said at a rare lecture for the Centre for Opposition Studies last week: “They [the voters] weren’t saying that Labour overspending caused the failure of the global financial system. What they were saying is that Labour overspending meant Britain wasn’t well equipped when the financial crisis hit.” In addition he said, “[t]he point is, the voters have spoken and they have made their judgment – not once but twice – and in a democracy their view is the most important”.

First of all, the Conservatives did not win the election in 2010. They governed in coalition with the Liberal Democrats. Second – and I am no apologist for a reprehensible Labour Government – when the financial crisis hit, the Labour Government bailed out a series of rotten banks that deposited a huge “debt” on the country’s balance sheet. It was the Labour Party that had the gumption to rescue these banks (and probWrecking ballably the British banking system more generally) from collapse. The head of the Government at that time was the long-serving former Chancellor, Gordon Brown, regarded even by Conservatives as competent. The Cancellor was Alistair Darling. That took quite a bit of courage and the state of the public finances before the crash which – let us be reminded, no one predicted – is seemingly irrelevant. Moreover, even if his statement is correct, it is a myth that the public finances are in such a parlous state. The debt is manageable, it does not in itself warrant wholesale budget slashing and the contraction of the state. That is the ideological response – an opportunity to privatise the public sector.

PocketFinally, the Labour Party does not need lessons from a man who mis-informed and lied his party to victory.  Crosby’s character assassination of the Labour Leader, Ed Miliband, represented a new low in negative politics. Readers may recall, Michael Fallon, the Conservative Defence Secretary is quoted as saying 10 days before the election “Miliband stabbed his own brother in the back to become Labour leader. Now he is willing to stab the United Kingdom in the back to become prime minister.” That was Crosby at his mendacious worst. And maybe we may not see a Labour government in the foreseeable future because decent and honourable politicians do not stoop that low. Näive, I know.

Lucky Strike for every bag

20160121_194708One for the women, maybe? So you are going out all dressed up and fit for an evening of gossip (Tratsch) only to find that your cigarettes will not fit into your clutch bag. What do you do? Thank goodness for Lucky Strike. Those wonderfully innovative people who work there have found a way of making them smaller – or ‘resized’ – perfect for your clutch bag. With added flow filter, of course. Death does not get better than this.

L&M advise on home contents disposal

20160118_073103Well here is the latest L&M advertising masterpiece. Couple sat on the floor in a room with no furniture. An open fire and mantlepiece with a couple of glasses of wine on it have been sketched in using some insipid brown colour for some reason.

It looks to me that the couple have sold all of their possessions in order either to feed their nicotine habit or, as is more likely, they have some terminal illness which means possessions are superfluous. They fondly think about the good times before L&M.

Should I admire Jacob Rees-Mogg?

Mhairi_BlackLast week I was driving to work listening to BBC Radio 4’s Woman’s Hour. Jenny Murray, the programme’s avuncular anchor, was interviewing the 21 year old Scottish MP, Mhairi Black (left). It was a general discussion about policy, life, MPing, etc. She made her maiden speech in parliament on 14 July 2015 and was roundly lauded for it, despite having broken the protocol that maiden speeches should be largely apolitical.

It transpires, however, that Ms Black is an admirer of Jacob Rees-Mogg, Conservative MP for North East Somerset. This is not someone that is at the top of one’s list for admiration. I find him extremely divisive and not a little annoying. But listening to the interview a seed of doubt was implanted in my brain. Ms Black said that although she fundamentally disagreed with him he was a) very polite to her and b) articulate such that he would always give a reason for his position (something which I would have thought was true of all MPs, but seemingly not).

Oh dear! Should I now reconsider my feelings towards Mr Rees-Mogg (below right)? Fortunately, to the rescue, came today’s edition of the Radio 4 Sunday morning magazine programme, Broadcasting House, for which he was a guest newspaper reviewer (along with former Business Secretary, Vince Cable and Hon_Jacob_Rees-Mogg_MPShelagh Fogerty, a radio presenter in London). They were discussing privatisation, and in particular the privatisation of Channel 4 Television. Cable argued that privatisation would undermine its public service ethos, particularly its flagship news programme, Channel 4 News.

And so Mr Rees-Mogg did what he does best, plausibly lie. First, he said that there are many private-sector news outlets that have high journalistic integrity. Hence Cable’s argument was not valid. He must have been thinking about Sky News and the integrity of Rupert Murdoch’s unimpeachable global news empire. He then went on to say that there should be a management buy-out; seemingly the best of both worlds, a privatised broadcaster with the existing management’s public service broadcasting ethos.

Now I have spent a good part of my life studying privatisation (UK bus and rail industry). In both of these cases, management buy-outs were seen as good options. Many of the former national bus company regional operators were transferred to the private sector by means of management buy-outs. The same is true of railway franchises. But where are they now? The bus and rail industries in the UK are dominated by large – increasingly international – conglomerates. One of the exemplar management buy-outs in the rail industry, Chiltern Railways (operating trains out of London’s Marylebone Station) held out for 6 years before finally succumbing to corporate ownership. It is currently owned by Deutsche Bahn, the German national railway operator. A few bus companies still hold out. In my home town of Hull, East Yorkshire Motor Services remains stubbornly independent. I cannot think of many more.

The point is Mr Rees-Mogg, management buy-outs are simply a means for corporations to access strategic assets at probably a little more than they were originally purchased by incumbent managements. The best way to protect strategic assets from corporations – if this is a desirable objective – is to keep them publicly owned. In this I include housing (wholesale transfer of public housing and right to buy). Mr Rees-Mogg is deliberately specious. He needed to be challenged on his plausibility. He was unfortunately deemed to be presenting a plausible argument. Speciousness is a deeply unadmirable trait.

Pics: Mhairi Black – SNP (through Wikipedia)

Jacob Rees-Mogg – LadyGeekTVFlickr

Pessimism: not my usual state of mind

220px-Hilary_BennI’ve noted the names of all of the Labour MPs who voted to bomb Syria in the recent vote. Hilary Benn (left) in particular is a disgrace and clearly short of rhetorical intelligence. As Simon Jenkins, the Guardian columnist noted after the debate, those who invoke Hitler (as Benn did) to argue for war need to think through their nonsense. ISIS, notes Jenkins, is not a threat to UK sovereign territory, unlike the UK in 1939. Moreover, we are in “dodgy dossier” territory here. The dodgy dossier was used by Tony Blair to make the “case” for war in Iraq in 2003 claiming weapons of mass destruction.

Human folly knows no bounds. The discovery of Penicillin in 1928 by Alexander Fleming heralded the era of antibiotics and the ability to treat many serious diseases such as Tuberculosis and syphilis. This is humanity at its most creative. But their effectiveness always depended on their irregular use. Essentially, show the micro-organisms antibiotics too often and they will find a way to be resistant. Humans, however, cannot seem to use finite resources appropriately. Doctors seem to over-prescribe; patients seem not to take a necessary whole course of treatment. But most stupidly, they are given to animals not to protect them against disease; i.e. for their welfare, rather to enable intensive farming to be possible. Seemingly the antibiotic of last resort, Colistin, has now been found to be ineffective against Enterobacteriaceae, a nasty little microbe that causes pneumonia, amongst other things. This might be a  high price to pay for cheap meat. The challenges are, however, even greater.

Some of the public figures I most admire are those that have eschewed gongs – honours bestowed upon subjects ofLynton_Crosby_Political_Strategist the Queen for good work. Musician, David Bowie, playwright Alan Bennett, artist L.S. Lowry (won award for the most times rejected) and scientist Michael Farraday are notable declinees. But the list is impressive and honourable. This year’s list of gongees, as I might call them, include Lynton Crosby (right), the architect of the Conservative Party’s “victory” in the General Election in May 2015. Crosby’s campaign was an abomination. One in which blatant lies were used against the opposition and David Cameron’s refusal to debate head-to-head with David Miliband. These are not services worthy of a Knighthood, even if I believed in them.

Enough. Happy new year to my readers. Thank you.

Pics:

Hilary Benn – http://www.defra.gov.uk/corporate/website/copyright/

Lynton Crosby – Cobber27 Wikipedia

Filtered French chic

20151220_183240It’s all in the filters at the moment. The delivery of carcinogens to willing humans takes great scientific endeavour. The current JSP campaign in Germany leads on this and takes on Lucky Strike and Marlboro whose new filter, Advance, is advertised to build anticipation as if it was a Star Wars film (“Are you ready for Advance?).

I apologise for the poor quality of this picture – it was taken at night across a railway platform. However, “Qualität die sich lassen kann” loosely translates as “allow yourself quality” coupled with “Jetzt mit festerem Filter” earns the ad agency its fee. And the smoker cancer.

Thank goodness, then, for the creativity of Gauloises’ ad agency. Vive le 20151205_230107Moment has the obligatory bearded man in a tuxedo, stylishly arriving at some gig with his bicycle slung over his shoulder (easier to ride, I would have thought). “Enzigartiger Stil, grossartiger geschmack. Meine Wahl” reads as “Unique style, great taste. My choice”. How clever is that; I mean, what a fantastic play on the concept of style? So cool.

By the way, just behind the door is the Grim Reaper.

Everything Everything, Strom, Munich, 5 December 2015

Get_to_Heaven_Everything_EverythingI am a recent convert to the music of Everything Everything, a 4/5-piece based in Manchester, formed in 2007. This tour co-incides with the release of their 3rd album, Get to Heaven (left). We were first exposed to them on Jools Holland’s BBC music show, Later. I distinctly recall noting that they were rubbish. The lead singer, Jonathan Higgs, had a ridiculous hairstyle and sang in falsetto (too much Bee Gees imagery for me). Alas, my partner put me right. I bought the album and then booked us two tickets for this gig. And what a gig it was.

The set was a near complete rendition of the album, plus a few oldies, Kemosabe, for example, which was nominated as Best Contemporary Song at the 2014 Ivor Novello Awards, amongst others. The first thing to say is that the band have an extraordinary presence to which their TV performance did not do justice. Higgs engages with the audience and genuinely seems to be enjoying himself.

The second thing to say is that the band’s music is curious. I would call it20151205_214133 Post-modern, a collage of styles, genres and techniques that, generally, work together. That is perhaps the skill. But lyrically – and certainly the songs on Get to Heaven – render this album worthy of attention. It is an acutely contemporary political statement/observation set to music. They are on the right side of the political spectrum. It does feel rather uncomfortable actually enjoying it when its subject matter includes Islamic State, the 2015 UK general election and mass shootings.

20151205_220524But even with the knowledge about what the album is about, it is still rather esoteric. Take, for example, Reptiles, where the lyric “Oh baby it’s alright, it’s alright to feel like a fat child in a pushchair old enough to run. Old enough to fire a gun” is chillingly surreal if nothing else. The opening track, To the Blade, is seemingly about the beheading of captives by IS. It starts with “So you think there’s no meaning in anything that we do?” Distant Past kicks off the theme of time – “Take me to the distant past, I want to go back”. But why? The printed lyrics are not much help. “Saw off my stinking limbs, blood dripping down my sunken monkey chin”. Maybe. “Did you ever watch your life slide out of your hands?” (Regrets) and then the mild relief of “Spring, Summer, Winter, Dread, I don’t want to get older”. This is a beguiling apocalypse.

 

Bombing Syria

François_Hollande_26_avril_2015I was sickened by the attacks in Paris. As a regular attender at gigs, I can only imagine the terror of a gunman in a dark confined space, let alone two gunmen. Paris is special.

France’s President Hollande (left), however, is not. I sense that he is using this opportunity to reinvent himself as a statesman, he doing not so well on the being President gig. He seems now to strut around inspecting his troops and embracing photo-opportunities with the scenes of terror as a backdrop. Oh, and bombing Raqqa in Syria, the Capital of the Islamic State, the perpetrator of the atrocity.

Whilst Raqqa may be the Capital, it is also a city full of civilians, many living under occupation. Any attack will have civilian casualties. But for President Hollande it does seem now that they are dispensable in the pursuit of his statesmanship. For goodness sake, the perpetrators of the atrocities were French nationals living in Belgium! Arguably, the attacks should have been prevented as there seems to be plenty of evidence that the perpetrators were known to the authorities. Warnings had been issued. They were not acted upon. That is not to excuse them, but we spend a lot of money on the security services and have – and will continue to – voluntarily concede civil liberties in order for these individuals to be monitored.

IS is of our own making. The US/UK illegitimate invasion of Iraq is one component. Our continued support for Saudi Arabia, arguably the source of the IS-statehood – a variation of Wahabi-ism – where beheadings are legitimate forms of punishment and the subjugation of women institutionalised, is another.

And then there is the ally of the French across the Channel, the UK, with its very own statesman pretender, David Cameron. Now, it seems, it is timeGuardian_graphic for him to push ahead with his much-heralded desire to bomb Syria. He argues that we, the British, are already bombing Iraq and the Syrian border at the moment is a bit nebulous (see chart, right). It is not really respected by IS and Assad is a bit holed up in Damascus to do much about any incursions. That is until the Turks blow out of the sky a Russian fighter and film the pilot being being shot at as he descends with a parachute. Spend 17 seconds over Turkey without an invitation and boom!

I can only hope that the UK Labour Party MPs do not accede to Cameron’s war mongering. I fear that they will. We seem not to learn the lessons of history – both near and far.

Picture of President Hollande: Claude Truong-Ngoc, Wikipedia

Graphic: Guardian newspaper: http://www.theguardian.com/politics/2015/nov/26/david-cameron-persuading-labour-mps-back-syria-airstrikes

Unease over corporate scandal: Olympus

Olympus_head_office_hatagaya_shibuyaLast night we watched documentary screened by the BBC called 1.7 billion dollar fraud: full exposure broadcast under the Storyville series banner. It is the story of an accounting fraud perpetrated over a 10 or so year period by the Board of the company to hide losses. It is an intriguing story told in an engaging way. Or so it seemed on first viewing.

The plot is simple. Successive presidents of the company have hidden losses by a variety of means – offshoring debt, buying shell companies, etc. – in order to keep up the share price and, ultimately, avoid bankruptcy. The knight in shining armour, as it were, was Michael Woodford, a humble Brit from Liverpool who started work for a subsidiary of Olympus 30 years ago and rose to be its president, at least in name. Without him, the scandal would have been ignored in Japan even though the story had been articulated in a small Japanese language financial magazine, FACTA. The story is even more complicated than the film presents.

Now there is no doubt that Olympus perpetrated significant accountancy fraud. And in order to do it, some rather dubious players – Yakuza and various Cayman Island firms – were employed. But it is also clear that the causes were not all they might seem. At first sight, the successive Presidents “instructed” their Finance directors, in particular Hisashi Mori, to move, hide and do whatever else to get rid of the debt for personal gain. Surely, should such losses be reported, they, as the person sat at the top would have to go? But what if the motive was not personal gain but rather the social welfare of employees? The capitalist west – or certainly the USA and the UK – has no real problem with this. Firms fail, employees find new jobs. Or not.

Tsuyoshi Kikukawa and Michael Woodford shake hands over appointment as President in 2011

Tsuyoshi Kikukawa and Michael Woodford shake hands over appointment as President in 2011

But even a cursory knowledge about Japanese firms and Japanese business methods alerts us to the non-universality of this approach. The firm may be bigger than the President (despite what Michael Woodford says about – Tsuyoshi Kikukawa – in the film) with the livelihoods of employees, families and pensions all locked into the success of the firm.

Moreover, the losses have their origins in global capitalist systems. First, the Plaza Accord of 1985 where a group of countries including Japan, the USA, UK, France and West Germany, decreased the value of the Dollar relative to the Yen. The purpose of this was to make the US more competitive and its goods and services cheaper. The downside was that Japanese products became more expensive, including Olympus products. Whilst this was not threatening, Olympus’ profits were affected. In order to keep them up – and this was not unique to Olympus – firms invested in stocks, bonds and other financial “instruments”. When the crash of 2008 came, these companies found their balance sheets compromised. Olympus acted to protect itself from those losses.

In the film, Michael Woodford is portrayed as being a victim. He was badly treated by Kikukawa particularly. For example, he tells the story of how he was invited to a lunch meeting where he saw that he had been served a Tuna sandwich and the other Japanese participants, Sushi, as a way of demonstrating his inferiority vis-a-vis his Japanese counterparts. He also tells of how he feared for his life when on the day he was sacked. But what was also telling is that Michael Woodford did not speak any Japanese. Now I am far from qualified to comment on this, but it seems to me that language is the most important aspect of culture. It is clear that some of the Japanese (writing) signs are made up of concepts of honour, loyalty, etc. To understand the language is to understand the culture. One cannot hope to understand Japanese capitalism in English. Maybe that is the biggest scandal, that Michael Woodford thought that he could. Or that capitalism speaks a universal language?

Picture: Olympus HQ ja:利用者:Kamemaru2000

Kikukawa and Woodford: screengrab from film

B&H marketers seem to go to the wrong gigs

20151107_184144It seems to me that only at truly awful gigs is it better to stand outside with a bunch of nicotine addicts rather than enjoy to music of a live band. And even then I am not sure. Seemingly not in B&H world (left). The caption reads “Inside plays the band. Outside the music”. Essentially, spending time with/being ignored by (as the woman seems to be) two unshaven men is better than watching Richard Hawley, for example. I think not.